National plagiarism

If you’re visiting here due to today’s BBC piece on plagiarised anthems, then first, buy my book! But with that out of the way, here is the music you’ve come for.

This is Bosnia’s anthem followed by the music from Animal House:

Yes, they do sound remarkably similar.

Is it coincidence? I clearly think so and not just for the reason of wanting to avoid a lawsuit. But could someone have heard that in a film and remembered it 20 years on? Here’s Animal House’s opening scene where the ‘anthem’ is prominent, although so is another melody someone could equally have taken for an anthem. I’ll leave you to decide what actually happened here.

As the BBC piece makes clear, lots of anthems have similar problems. This is Uruguay’s followed by Donizetti’s Lucrezia Borgia.

Uruguay’s is also similar to one of Beethoven’s sonatas, and the other day I heard a similarity in one of Mozart’s piano concertos, so make of that what you will.

For all the other comparisons, please trawl through my book’s audio guide although I’ll happily put more up here if there’s a clamour. Yes, some anthems I did leave out (hello everyone in South Africa, Tanzania, Zambia, Namibia and Zimbabwe!), but I had to save something for people to discover in the book.

Anyway, to finish, this is South Korea’s anthem played in the style of Auld Lang Syne just because it’s fun.

Update: The Daily Telegraph has also published a fun piece of mine today on the world’s strangest anthems. It features Nepal’s and Kazakhstan’s, which have chapters in the book. The stories surrounding those songs – one’s linked to a Maoist revolution, the other exemplifies the madness of a dictatorship – should really be more widely known. Enjoy!

Dodging snipers for Eurovision

Tonight is Eurovision! Sweden should win, right?

Or failing him, France?

Great, glad we agree!

In tribute to the world’s greatest song contest, I thought I’d put up a few quotes from an interview I did once with Dino Merlin, Bosnia’s answer to Paul McCartney and a man who’s been to Eurovision three times.

Dino stayed in Bosnia’s capital of Sarajevo during the war of the 90s, when the city was under siege.

He had little electricity or water, Serb mortars were dropping on the streets, but he still got the energy to write both Bosnia’s first national anthem, Jedna si Jedina, and its first Eurovision entry. The Eurovision song was called Sva bol Svijet, All the Pain in the World, which is understandable if somewhat inappropriate for a competition that relies on glitter canons and showgirls.

While chatting to Dino, I asked if he ever managed to escape the siege and he said this: “The first time I went to Eurovision, I had to run across the airport. Have you heard anything about the airport during the war? There were UN soldiers patrolling the runway and if they caught you, they’d dump you back in the city. And from the other side, from the mountain, you had snipers – Serb snipers – shooting anything they saw move.

“So I got there and saw everyone was running one way round. But something told me not to follow them, so I ran straight across. Terrified. Scared. Everything like that. But somehow I did it. I got to Ireland!”

“How was Eurovision?” I asked.

“We came sixteenth,” he replied deadpan, then burst into laughter.

After the contest, Dino immediately returned to Sarajevo – running back across the airport – which either says he was insane at the time or really loved his country.

I don’t think any of this year’s Eurovision entrants will have gone through anything like that, but feel free to make up a hideous backstory about Sweden’s Robin Stjernberg if it’ll help you vote for him!